Mediahustler


The FT’s editor forecasts the future of online news >

Lionel Barber, the editor of the Financial Times has predicted that “almost all” news organisations will charge for their online content within the year.

Discussing the the building of online platforms, mediaguardian reported that Barber said readers of online content will soon have to pay per article or be subject to a subscription charge, a challenge facing all news websites.

Whilst the models for payment are still not clear, Barber spoke of the the online news forecasts and the revenues that could be generated from this method at a Media Standards Trust event at the British Academy last night.

After Rupert Murdoch’s predictions earlier in the year, Barber’s revelations about the future of online news generation and content match a common ideology that  the current flawed business models will move with the times and accomplish the financial and readership success shown with their print formats.

The Financial Times had pioneered the concept of a “frequency model”, giving access to a limited number of articles on the web before asking users to subscribe.

In the mediaguardian article, Barber revealed that the FT “are seeing sustained and growing revenue as a result of our strategy of premium pricing for quality, niche global content – crucial at a time of weakening advertising,” he added.

“Many news organisations are following suit in charging, latterly the New York Times which had previously come down in favour of free access to its own content.”

The Financial Times website, FT.com, has more than 1.3 million non-paying registered users worldwide, with another 110,000 paying subscribers.

Barber said he had not come to “preside over a wake” but to make some “modest suggestions on how good journalism can not only survive but thrive in the digital age”.

He said the new digital world “poses a threat but also an enormous opportunity to established news organisations”, and warned that the “mediocre middle” was most at risk.

Additionally, Barber made a distinction between “crafted” journalism and blogs “largely based on opinion rather than established fact [and] becoming increasingly influential in setting the news agenda”. “Bloggers have broken important stories and will continue to do so,” he said.

But he said they “do not operate according to the same standards as those who aspire to and practise crafted journalism. They are often happy to report rumour as fact, arguing that readers or fellow networkers can step in to correct those “facts” if they turn out to be wrong. They are rarely engaged in the pursuit of original news: their bread and butter is opinion and comment.”

“I do not wish to sound precious. British journalism has always put a premium on the scoop and it has long blurred the distinction between news and comment,” said Barber.

“The rise of bloggers may simply signal the last gasp of the age of deference, not just in politics but also in general social mores in Britain, America and elsewhere. Nor does it follow that the worldwide web has dumbed down journalism.

“On the contrary: it has created opportunities to “smarten up”. News organisations with specialist skills and knowledge have the opportunity to thrive. The mediocre middle is much more at risk.”

(source: mediaguardian.co.uk)



The media capitalises with Michael Jackson tributes issues >

Smash Hits Special Edition Tribute To Michael Jackson

Publishers are taking advantage of the public interest and pushing out tribute issues of the late Michael Jackson. Bauer Media and NatMags are both prime examples of this, with Bauer reintroducing the former teen music magazine, Smash Hits which had closed more than three years earlier with a one off edition costing £2.99 a piece. Interestingly the issue will feature content from The Word editor, Mark Ellen who is a former SM journalist.

The magazine which now has a stable online & broadcast presence saw sales of over 1million copies when the likes of Kylie & Jason graced the cover. I am intrigued to know what the wk 1 sales of this title will be. Bauers managing director Stuart Williams denied suggestions they were cashing in, admitting “I don’t think we’re going to make a lot of money out of it.”

The National Magazine Company has release a standalone, one-off commemorative issue covering 132-pages also at the retail price of £2.99. Entitled Michael Jackson – Tribute to a Legend the collectors edition will was printed to 200,000 copies and was produced by Reveal’s Michael Butcher and his team.

When such an icon and recognised figure becomes the focus for whatever reason to  the press and public eye it can create a platform in which society can feed from for emotional or knowledgeable gain. This something that can be exploited, not necessarily or always in a derogative way but in a direction that offers mass inspiration and feeling which can often console or educate those in need.

Michael Jackson, the King of Pop. August 29, 1958 – June 25, 2009

(source: mediaguardian.co.uk / mediaweek.co.uk / news.sky.com)



TOP GEAR’s THE STIG is finally unmasked…>
June 21, 2009, 10:10 pm
Filed under: comedy/fun, entertainment, film/tv, news, pop culture, pr | Tags: , ,

 

Some say he drinks petrol, never sleeps, was raised by wolves, and his favourite philosopher is Immanuel Kant – various lists of the Wonders of the World have been compiled over the ages to catalogue the most spectacular man-made constructions and natural things in the world but none have ever been able to document the conundrum that is THE STIG…

The identity of the mystery driver who tests high-performance cars, has eluded even the smartest of brains until he shed his helmet revealing on air in a moment that shocked and stunned viewers.

To see this epic moment of clarity, check out the below:

Question is, was this revelation legit or merely a stunt to raise the ratings of the show and profile of the individual supposedly behind helmet?!



EXPERIENTIAL PR: A dying breed?

Stunt and event-led agencies are feeling the pinch. The recent and unfortunate demise of experiential outfits Cunning Stunts (famed for projecting a naked Gail Porter against Parliament) and Making Waves Communications is evidence of this and as more and more clients are withdrawing budgets and opting for ‘safer tactics’ it’s questionable whether this format will survive.

PR stunts are often seen as risky ‘want to do’ rather than ‘need to do’ tactics which do not necessarily generate the highest results against spend for the activity however, experiential is still a good way of reaching audiences and can often build a strong emotional connection between the consumer and a brand.

Whilst the return on investment is difficult to prove and the current economic climate is not enthusing some of the most whimsical of budget holders to take huge risks, some agencies are in fact witnessing an influx with some willing clients looking at taking a chance on  interactive experiences. An example being, agency Pretty Green who rec­ently organised for 100 Beyoncé Knowles lookalikes to dance in Piccadilly Circus to promote chewing gum brand Trident giving away tickets to her sold-out tour.

In an interview for this weeks edition of PRWeek, Cunning Stunts founder Anna Carloss said ‘clients are tending to go to digital or TV where they feel more comfortable with their money. Stunts are seen as a want to do, not a need to do and that attitude is impacting on the experiential market.’

Contrary to this, Mischief PR MD Mitchell Kaye said: ‘I couldn’t agree less. We have never done more experiential work than in the past few months and we see no trend of clients moving away from that.’

However, he did warn that stunts and experiential work had to be part of a wider comms strategy to be successful. ‘Where experiential sits in isolation it could struggle,’ he said.

Some brands have built such a reputation through experiential stunts that they have become synonymous with this activity. Offering its consumers anything less could be detrimental to their campaigns and without strong PR to accompany it, failure to deliver is likely.

Whilst there is evidence that the crunch is slowly disappearing, it will be interesting to see where the future of experiential lays. Could the cull of Cunning Stunts and Making Waves be bad fortune or is this a sign that the trend of cautious clients will soon completely dismiss the opportunity to directly engage with audiences…?!

To see the article in PRWeek, click here.



BGT Final WINNERS 2009: DIVERSITY

So, after a dramatic, traumatic and overall enjoyable…matic contest, Britain’s Got Talent 2009 has come to an end…

After a week of performances, the shortlist came down to Aiden Davis, Hollie Steele, 2 Grand, Julian Smith, Stavros Flatley, Shaheen Jafargholi, Shaun Smith, Flawless, Susan Boyle and Diversity.  The top three finalists were dance act DIVERSITY, singer Susan Boyle and saxophonist Julian Smith.

In a shock victory, street dancers DIVERSITY won the reality TV contest beating Scottish singer Susan Boyle. The result, will see the dance-troupe win the prize of £100,000 and perform at the Royal Variety Performance this year in front of Her Majesty the Queen.

Sky News reported that, bookmakers are said to have made a fortune because of the unexpected result.

“We are in shock and have made a six figure sum in what has been the biggest surprise in reality TV history. Susan was a certainty,” said William Hill’s spokesman Rupert Adams.

William Hill estimate that over £3m was bet on the show in the final hour and managed to avoid a potential multi-million pound loss with their victory, as Susan Boyle had attracted the lion’s share of the bets to win.

See below for the winning performance:



Stars unite with H&M to raise AIDS awareness >

Dita Von Teese and N.E.R.D are among the stars who have collaborated with H&M to help battle AIDS.

Alongside Katy Perry, Estelle and Cyndi Lauper, they have all created one-of-a-kind t-shirts (with the exeption of Perry who, very characteristically designed a bodysuit!) for the clothing chain.

The range hits H&M stores across the globe on May 28 with proceeds from the sale of the clothes in the Fashion Against AIDS campaign will go to help HIV and AIDS awareness campaigns.

See the clothing modelled by their celeb-designers below:

 V2

V4

V1

V3

And for more information on this click here.



April ABCs: The rise and fall…>

So the ABCs for April have been released revealing some interesting results.

In summary, the Daily Star was the only national newspaper to record both a monthly and year-on-year increase in sales last month.

Elsewhere in the popular daily sector, the Daily Mirror recorded a fall in circulation to 1,320,629 copies in April which means it had the biggest fall of any title in the daily popular and mid-market sectors with The Sun posting the next biggest year-on-year fall in sales, down to 2,957,690 copies which is the largest month-on-month fall among the daily popular and mid-market titles.

For the Sunday press, The Independent on Sunday was the biggest faller in the Sunday quality market and The Sunday Times posted a 1.62% year-on-year rise, although a 1.5% fall month-on-month, to 1,221,683 – 54,213 copies was distributed overseas.

All but the Sunday Times recorded a fall in circulation 1.62% year-on-year rise, although a 1.5% fall month-on-month, to 1,221,683 – 54,213 copies was distributed overseas.

For more details click here for the dailies and here for the Sundays.



The Standard said ‘sorry’ but do we care?!
May 11, 2009, 11:29 am
Filed under: good/bad/ugly, news, pr | Tags: , ,

Evening Standard

A story which has been circulating lately, particularly in a meeting I had today which discussed the Evening Standards latest advertising campaign, one which is being hailed as a remarkable stance on their apparent loss of contact with its readers…confused, yes I was too so much so that I am casting my own opinion a few days after it was reported…

If you didnt already know, the Evening Standard launched a teaser ad campaign, the work of McCann Erickson to apologise to Londoners for five different reasons. Click here  to see all five ads. 

The reasoning behind this, market researchers discovered that Londoners considered the paper to be too negative, not celebratory enough and guilty of failing to cater for the capital’s needs and Geordie Greig (the new editor, under Lebedev)’s response was to deal with this head on and admit to previous failings.

Already making the Standard a talking point this strategy could actually win back readers it lost touch with and may recruit additional support by embracing readers and re-engaging with London.

mediahustler is still unsure of this daring approach, if anything they have shot themselves in the foot by flagging a problem that Evening Standard readers didn’t know existed and evidently they themselves hadn’t noticed either.

In a time when ‘sorry’ seems to be the easiest word to say these days – what with bankers, MPs and anyone else wanting to throw the word out there I find myself repulsed by the constant remark

See one of the apologetic banners below:

Evening Standard 'Sorry' ad



Top 100 mentioned brands on Twitter >

The top 100 most mentioned brands on Twitter have been revealed; Revolution teamed up with i-level’s social media agency Jam to reveal the most mentioned brands on Twitter and how they are aiming to capitalise on the buzz. 

Interestingly, some on the brands discussed have more mentions than followers.

Full breakdown below:

  Brand Mentions Followers Twitter
1 Starbucks 3.37m 120,868 @Starbucks
2 Google 1.01m 307,342 @Google
3 BBC 703,000 15.777 @bbcnews
4 Apple 512,110   None
5 AIG 455,000   None
6 Amazon 245,760 1007 @amazon
7 Microsoft 221,000   None
8 Guardian 211,000 14,913 @guardiannews
9 Dell 185,000 287,575  
10 Coca-Cola 135,600   None
11 Ford 130,000 2,256 @ford
12 Sony PlayStation 117,550 20,651 @SonyPlayStation
13 eBay 107,000 1329 @ebayUK
14 Sony 107,000   None
15 Disney 106,000 7,354 @wdwnews
16 Yahoo! 94,500 9,541 @yahoo
17 Sky 74,370 10,248 @SkyNews
18 IKEA 72,300   None
19 IBM 70,400 1,180 @ibmevents
20 Nokia 68,100   None
21 Ford Scott Monty 62,600 16,562 @scottmonty
22 Guinness 59,700   None
23 HP 56,720 1,682 @hpnews
24 ComCast 50,400 14,688 @comcastcares
25 Skittles 48,600   None
26 Canon 48,200 605 @canon
27 McDonald’s 45,340 234 @MONOPOLYatMcD
28 Channel 4 39,300 6,932 @channel4news
29 Lego 39,100   None
30 Pepsi 37,400 757 @pepsi
31 Samsung 35,800 582 @samsungmobileus
32 Intel 35,700 464 @intel
33 Tesco 35,500   None
34 Nike 32,800 1,167 @nikeplus
35 Honda 31,400 2,693 @Alicia_at_Honda
36 BMW 30,600 1,265 @BMWSauberF1Team
37 T-Mobile 29,900 1,443 @TMobile_USA
38 BT 27,540   None
39 FedEx 27,100 1,108 @mattceni
40 O2 25,900 2,371 @O2UKOfficial
41 Vodafone 25,400 802 @Vodafone_News
42 Bosch 25,300   None
43 RyanAir 25,200   None
44 Toyota 22,600 2,321 @toyotanewsroom
45 VW 22,190   None
46 Mercedes 21,600 1,506 @TheFifthDriver
47 Subway 21,200   None
48 Cadbury 19,900   None
49 Audi 18,600   None
50 Burger King 18,500 2,496 @thebklounge
51 Marmite 15,600   lovehatemarmite
52 Chanel 14,700   None
53 Citi 12,600   None
54 EasyJet 11,800   @easyjetservice
55 H&M 11,500 2,701 @handm
56 Porsche 10,600   None
57 Zara 10,000   None
58 Gucci 9,990 436 @gucciofficial
59 Nissan 9,740   @NissanSports
60 UPS 8,960 5,381 @trackthis
61 Motorola 8,320 346 @motodev
62 Avon 8,132   None
63 Marks & Spencer 7,900   None
64 Heinz 7,500   None
65 Royal Bank of Scotland 6,945   None
66 Asda 6,650 147 @asda
67 Accenture 5,970 2,126 @Accenture
68 HSBC 5,760   None
69 Lexus 5,690   None
70 British Airways 5,670 1,202 @British_Airways
71 Siemens 5,640   None
72 Gillette 5,250   None
73 Barclays 4,840   None
74 Sainsbury’s 4,300   None
75 Budweiser 3,980   None
76 Louis Vuitton 3,950   None
77 Lovefilm 3,720 1,503 @lovefilm_uk
78 Smirnoff 3,380 514 @Smirnoff_EXP
79 Banco Santander 3,330   None
80 UBS 3,330   None
81 Shell 3,100   @shelldotcom
82 Colgate 2,870   None
83 L’Oreal 2,813   None
84 Citroen 2,810   None
85 Rolex 2,630   None
86 Cartier 2,100   None
87 Knorr 2,030   None
88 PG Tips 1,400   None
89 Oxo 829   None
90 Birdseye 748   None
91 Levi’s 700   None
92 Specsavers 665   None
93 Duracell 621   None
94 BP 600   None
95 Schweppes 570   None
96 Habitat 500   None
97 Direct Line 500   None
98 Andrex 474   @Andrexpuppy
99 Vauxhal 470   @vauxhallnewsuk
100 Dulux 208   None


Wolverine slaughters the UK box office >

X-Men Origins: Wolverine has gone to the top of the UK and reland box office chart, making £6.6m in its first five days on release.

Three times more than what Hannah Montana: The Movie, its nearest rival, took between Friday and Sunday, Hugh Jackman’s blockbuster, a prequel to the X-Men trilogy, also sits at the top of the US and Canadian film chart.

This Friday sees the UK release of the hugely-anticipated Star Trek which, like the Wolverine film, is an origins story based on another fan-favourite franchise – could we see a sci-fi showdown, mediahustler shouts whilst beating his chest “BAAAAATTTTTLLLLLEEEEE!”